Briar. Coloured pencil on paper.

Coloured pencil drawing from the early 1990's

Dr G. M. Smith of Rawene Hospital

I've just completed my latest pencil portrait. Based on an old magazine photo, the original was not much to go on but I think his character has come back to us in a small way.

Sati is at last grazing peacefully at The Labyrinth in the Waiotemarama Gorge

We called James to bring his truck to collect Sati on Sunday morning.

Loading Sati in Rawene ready for the journey

Buckling in.

Halfway there, Sati takes in the breathtaking view of the Hokianga Harbour.

Sati loves her new forest home.

Nearly there.

Sati finds her feet

Louis, Sati's new owner with Harmen.

Four more bolts to go and she's secure. Labyrinth Shop and Puzzle Museum in the background.

Sati, Harmen & Julie

 Louis, Harmen, Julie and Sue in front of Sati.

For the Northern News release article, Wednesday 10 April 2013 go to this link

Sati the Elephant has her first coat of plaster.

Red sail comes from my old outrigger canoe Toroa.

The sun is beating down causing the plaster to cure too fast, solution? rig a shade sail.

The blue band is bone setting casting bandage of the synthetic, 3M variety wrapped tightly around the repair to Sati's foot to prevent cracking in the plastered surface. I used the same material to reinforce her tusks.

Ladders come in handy for all sorts of stuff.

Sati salutes you.

view from the neighbouring driveway out across the Hokianga Harbour.

Ready for the next step

This is what you will see when you visit.

After the last two coats of finishing plaster reinforced with glass cloth I will coat Sati with a waterbased Epoxy clear coat which will darken and warmly enrich the natural plaster colour. I'll use a tinted white plaster for the fore head, tusks and toenails before the final clear coat goes on.

Yvonne Rust Never Sleeps

Last June I was invited by the organisers of the Quarry Arts Centre in Whangarei to participate in an art exhibition called "The great Plate, 100 artists 100 plates."

http://s764.photobucket.com/albums/xx286/QuarryArtsCentre/The%20GreatPlate%202010/?start=all

This is an imaginative fund raising campaign whereby selected artists donate their time to embellish a raw, fired, unglazed plate.
Mine came in Mid June in a cardboard courier box well protected with industrial bubble wrap.

I imagined what I might do to contribute the maximum return for the gallery. This decision turned me away from themes of self exploration and political statement to featuring what I have done for many years, portraiture.

It did not take me long to decide on a portrait of the woman after whom the gallery was named, Yvonne Rust. There are very few images of her extant which limited my references.

I found an image in a Whangarei Library photo archive by photographer Florence Keene of Whangarei.
I'm grateful for the online archive. http://collections.whangarei-libraries.com/catalogs.php/39?page=4

I rendered the image on my plate using an aquarelle pencil in a mid tan/ochre colour for the facial skin tones and an HB pencil for the hair, tunic and facial details and contrasts.

Stylistically this duochrome drawing is similar in method to that used by Hendrick Goltzius in 17th C Holland.

Lastly I fixed the image with lacquer fixative. The plate went back into the courier packaging which I then sent back with the courier to the gallery in Whangarei.

Imagine my dismay and disappointment when Amanda from the Quarry art Gallery emailed me to inform me that my plate was in two pieces, broken during its journey by courier.

Julie had warned me to deliver it personally to ensure that it got there in one piece! Even the courier driver joked as he handed the package over to Amanda that he hoped it wasn't broken. What did he know?

Fortunately Amanda is a jeweller with a gentle touch. She set about repairing the break with clear, conservation grade epoxy resin. I have yet to see the result though I believe from what Amanda tells me that it is a discrete repair with only a fine line showing.

To add to this story, recently I visited with close friends who lived and worked with Yvonne. They both told me that they were not surprised to learn that the plate had broken. They too had an exploding vessel episode associated with an Yvonne Rust painting and a large glass bowl. They told me that Yvonne hated to have her image taken which explains why I could find so few references of her.

So Yvonne if you are out there I'm glad to have made your aquaintence through your work, your friends and your students. I hope we meet again sometime.

best

Harmen R Hielkema

Another G.H. Elliott watercolour emerges

Since I published the restoration of the G.H. Elliott water colour "Mountain Mists" I have been approached by the owner of a beautiful river scene painted by Elliott in 1885.
Like the one I restored the frame is dilapidated but in the case of this painting, (also mounted on board with gum arabic) it is in remarkably good condition.
For the sake of documentation I have decided to publish an image of this painting on my blog.
I wonder how many more there are out there?